Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of AthensUniversity of Pittsburgh Press, 1977 - 245 Seiten |
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Seite 213
... Kinsmen , we now attribute to Venus effects that were formerly Diana's work , such as health of body and mind , a happy family and well - behaved children ; consequently her portrait in The Two Noble Kinsmen , where she breaks the kinsmen's ...
... Kinsmen , we now attribute to Venus effects that were formerly Diana's work , such as health of body and mind , a happy family and well - behaved children ; consequently her portrait in The Two Noble Kinsmen , where she breaks the kinsmen's ...
Seite 216
... Kinsmen was written and first performed in 1613 . Whether it was by Shakespeare and Fletcher , as the 1634 title ... Kinsmen as a poetic last will and testament . It may have had a successor . Another certain thing about The Two Noble ...
... Kinsmen was written and first performed in 1613 . Whether it was by Shakespeare and Fletcher , as the 1634 title ... Kinsmen as a poetic last will and testament . It may have had a successor . Another certain thing about The Two Noble ...
Seite 219
... kinsmen are automata , but with the difference that whereas the earlier characters were automata without adequate motive , the kinsmen are all motive . The rationality and ceremoniousness of Theseus ' Athens provide a theatre where the ...
... kinsmen are automata , but with the difference that whereas the earlier characters were automata without adequate motive , the kinsmen are all motive . The rationality and ceremoniousness of Theseus ' Athens provide a theatre where the ...
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Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow Keine Leseprobe verfügbar - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow Keine Leseprobe verfügbar - 1977 |
Häufige Begriffe und Wortgruppen
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists