Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of AthensUniversity of Pittsburgh Press, 1977 - 245 Seiten |
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Seite 3
... Queen recognised an allusion to herself in the character of the king . Yet the relationship between the play , the rebellion and the Queen is not a simple one . The treatment of the king is so sympathetic , especially after his fall ...
... Queen recognised an allusion to herself in the character of the king . Yet the relationship between the play , the rebellion and the Queen is not a simple one . The treatment of the king is so sympathetic , especially after his fall ...
Seite 195
... Queen's misfortune . " By my troth and maidenhead , ' says Anne , ' I would not be a queen . ' To this the old woman , reminiscent of Emilia in Othello , replies , ' I would , / And venture maidenhead for't ; and so would you ...
... Queen's misfortune . " By my troth and maidenhead , ' says Anne , ' I would not be a queen . ' To this the old woman , reminiscent of Emilia in Othello , replies , ' I would , / And venture maidenhead for't ; and so would you ...
Seite 206
... queens ' funeral song , ' And clamors through the wild air flying ' ( 1. v . 6 ) , we can feel the Romantic thrill that the nearness of death and terror can bring . The third queen's concluding couplet makes the cranks and turns of such ...
... queens ' funeral song , ' And clamors through the wild air flying ' ( 1. v . 6 ) , we can feel the Romantic thrill that the nearness of death and terror can bring . The third queen's concluding couplet makes the cranks and turns of such ...
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Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow Keine Leseprobe verfügbar - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow Keine Leseprobe verfügbar - 1977 |
Häufige Begriffe und Wortgruppen
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists