Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of AthensUniversity of Pittsburgh Press, 1977 - 245 Seiten |
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Seite 5
... Romantic kind : he identifies the author with his creations , and he divides the author's creative life , as if it were the microcosm of an historical era , into periods . The most succinct version of the Romantic approach to ...
... Romantic kind : he identifies the author with his creations , and he divides the author's creative life , as if it were the microcosm of an historical era , into periods . The most succinct version of the Romantic approach to ...
Seite 169
... Romantic tradition is still under its influence , his perspective determined , in ways he does not always recognise , by the Romantic point of view . The charm and the excitement of Romantic criticism lie in its subjectivity , its habit ...
... Romantic tradition is still under its influence , his perspective determined , in ways he does not always recognise , by the Romantic point of view . The charm and the excitement of Romantic criticism lie in its subjectivity , its habit ...
Seite 172
... Romantic allegorical Tempest completely . For one thing contemporary criticism is too self - con- scious , the critics too many , their style too muted . For another , able scholars have defended Shakespeare's sole right to Henry VIII ...
... Romantic allegorical Tempest completely . For one thing contemporary criticism is too self - con- scious , the critics too many , their style too muted . For another , able scholars have defended Shakespeare's sole right to Henry VIII ...
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Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow Keine Leseprobe verfügbar - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow Keine Leseprobe verfügbar - 1977 |
Häufige Begriffe und Wortgruppen
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists