Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of AthensUniversity of Pittsburgh Press, 1977 - 245 Seiten |
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Seite 70
... dream , Clarence has ' broken from the Tower ' in company with his brother Richard , and they are embark'd to cross to Burgundy ' ; but we soon feel that his escape is fom England and the past as well as from the Tower . As he and his ...
... dream , Clarence has ' broken from the Tower ' in company with his brother Richard , and they are embark'd to cross to Burgundy ' ; but we soon feel that his escape is fom England and the past as well as from the Tower . As he and his ...
Seite 71
... dream vision , which ends here , is a lyrical epitome of the strongest themes of II and III Henry VI : loss of life in the quest for delusive treasures and the portrayal of ambition as the pursuit of death . So far in the dream ...
... dream vision , which ends here , is a lyrical epitome of the strongest themes of II and III Henry VI : loss of life in the quest for delusive treasures and the portrayal of ambition as the pursuit of death . So far in the dream ...
Seite 72
... dream is , potentially , Richard of Gloucester's as well as nearly every other character's in these histories . The speech has therefore great general significance , and as Clarence sleeps again ( perhaps to dream again ) , watched over ...
... dream is , potentially , Richard of Gloucester's as well as nearly every other character's in these histories . The speech has therefore great general significance , and as Clarence sleeps again ( perhaps to dream again ) , watched over ...
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Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow Keine Leseprobe verfügbar - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow Keine Leseprobe verfügbar - 1977 |
Häufige Begriffe und Wortgruppen
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists