Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of AthensUniversity of Pittsburgh Press, 1977 - 245 Seiten |
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Seite 36
... eyes we have been encouraged to see the horrors of the act , shows his sanctity again in another prayer forestalling over - hasty judgement : O thou eternal Mover of the heavens , Look with a gentle eye upon this wretch ! To Warwick's ...
... eyes we have been encouraged to see the horrors of the act , shows his sanctity again in another prayer forestalling over - hasty judgement : O thou eternal Mover of the heavens , Look with a gentle eye upon this wretch ! To Warwick's ...
Seite 84
... eyes , Hear me without thine ears , and make reply Without a tongue , using conceit alone , Without eyes , ears , and harmful sound of words ; Then , in despite of brooded watchful day , I would into thy bosom pour my thoughts . But ...
... eyes , Hear me without thine ears , and make reply Without a tongue , using conceit alone , Without eyes , ears , and harmful sound of words ; Then , in despite of brooded watchful day , I would into thy bosom pour my thoughts . But ...
Seite 85
... eyes ' fragility , so much at odds with their power to fascinate , and the child's hunting for an escape from his prison , which blinding would make complete . Straight- forward terror , which some have thought should be Arthur's single ...
... eyes ' fragility , so much at odds with their power to fascinate , and the child's hunting for an escape from his prison , which blinding would make complete . Straight- forward terror , which some have thought should be Arthur's single ...
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Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow Keine Leseprobe verfügbar - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow Keine Leseprobe verfügbar - 1977 |
Häufige Begriffe und Wortgruppen
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists