Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of AthensUniversity of Pittsburgh Press, 1977 - 245 Seiten |
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Seite 165
... gods are not real gods . If there are real gods , then like sleep and death they can only be imitated . If there are no gods , then ( to paraphrase Sidney ) art , not being captived to a foolish world , can make a golden one and invent ...
... gods are not real gods . If there are real gods , then like sleep and death they can only be imitated . If there are no gods , then ( to paraphrase Sidney ) art , not being captived to a foolish world , can make a golden one and invent ...
Seite 188
... God . Besides , if Henry is God's high - priest on earth , then Katherine loses God as well as her husband and there is indeed an equation , morally false or not , between the two falls , and the dramatist , not ' history ' , is ...
... God . Besides , if Henry is God's high - priest on earth , then Katherine loses God as well as her husband and there is indeed an equation , morally false or not , between the two falls , and the dramatist , not ' history ' , is ...
Seite 217
... gods are imitation gods . In Cymbeline , Jupiter exists , therefore men are de- livered ; but The Tempest is well on the way to representing a very different idea , that because men must be delivered , the gods will have to exist . At a ...
... gods are imitation gods . In Cymbeline , Jupiter exists , therefore men are de- livered ; but The Tempest is well on the way to representing a very different idea , that because men must be delivered , the gods will have to exist . At a ...
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Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow Keine Leseprobe verfügbar - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow Keine Leseprobe verfügbar - 1977 |
Häufige Begriffe und Wortgruppen
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists