Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of AthensUniversity of Pittsburgh Press, 1977 - 245 Seiten |
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Seite 161
... nature as we normally understand it , and is not so much an action as a state of what we call ' the heart ' ; the second is outside nature , and its narrative form is an act of Providence . In Cymbeline , totally alone , Posthumus ...
... nature as we normally understand it , and is not so much an action as a state of what we call ' the heart ' ; the second is outside nature , and its narrative form is an act of Providence . In Cymbeline , totally alone , Posthumus ...
Seite 162
... Nature , is an art That Nature makes . ( Iv . iv . 89-92 ) And of course , like a lecturer , he illustrates his point . Hybridisation is like marriage ; we breed a ' gentler scion ' with ' the wildest stock ' , and , " This is an art ...
... Nature , is an art That Nature makes . ( Iv . iv . 89-92 ) And of course , like a lecturer , he illustrates his point . Hybridisation is like marriage ; we breed a ' gentler scion ' with ' the wildest stock ' , and , " This is an art ...
Seite 163
... Nature's children and the bastards fathered upon her by human ingenuity comes clear . Her own children express her irreducible beauty , but the bastards express men's continual absorption in trivialities and appearances . We know that ...
... Nature's children and the bastards fathered upon her by human ingenuity comes clear . Her own children express her irreducible beauty , but the bastards express men's continual absorption in trivialities and appearances . We know that ...
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Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow Keine Leseprobe verfügbar - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow Keine Leseprobe verfügbar - 1977 |
Häufige Begriffe und Wortgruppen
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists