Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of AthensUniversity of Pittsburgh Press, 1977 - 245 Seiten |
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Seite 19
... performance tells us , the audience was more interested in charac- ter and life than in the mythical framework supporting them . The experience of the long series of plays , for author and audience , was bound to be a kind of enacted ...
... performance tells us , the audience was more interested in charac- ter and life than in the mythical framework supporting them . The experience of the long series of plays , for author and audience , was bound to be a kind of enacted ...
Seite 216
... performance of The Two Noble Kinsmen , done with a finish , a splendour and a fidelity to the author's intention ... performances . The theme of the tragi - comedies , put simply and generally , is the saving of men and kingdoms from the ...
... performance of The Two Noble Kinsmen , done with a finish , a splendour and a fidelity to the author's intention ... performances . The theme of the tragi - comedies , put simply and generally , is the saving of men and kingdoms from the ...
Seite 239
... performance of such passages requires considerable musical training . Chapter 11 1. The subtitle is from Sir Henry Wotton's letter of 2 July , 1613 describing the performance of Henry VIII which burnt down the Globe Theatre . Quoted in ...
... performance of such passages requires considerable musical training . Chapter 11 1. The subtitle is from Sir Henry Wotton's letter of 2 July , 1613 describing the performance of Henry VIII which burnt down the Globe Theatre . Quoted in ...
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Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow Keine Leseprobe verfügbar - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow Keine Leseprobe verfügbar - 1977 |
Häufige Begriffe und Wortgruppen
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists