Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of AthensUniversity of Pittsburgh Press, 1977 - 245 Seiten |
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... play , or an author wanted to con- gratulate the government . Yet we know that Elizabethan plays are full of covert , figurative allusions to events great and small , allusions so handled that , unless a play caused a riot or otherwise ...
... play , or an author wanted to con- gratulate the government . Yet we know that Elizabethan plays are full of covert , figurative allusions to events great and small , allusions so handled that , unless a play caused a riot or otherwise ...
Seite 119
... play . That play , in turn , might be an old play revived or a new one incompetently written , and there is no end to the entities that subtle bibliographers can multiply between those alternatives . On the whole the choruses , with the ...
... play . That play , in turn , might be an old play revived or a new one incompetently written , and there is no end to the entities that subtle bibliographers can multiply between those alternatives . On the whole the choruses , with the ...
Seite 221
... play , have been used as something to be explained away , not as a means of explanation . Explanations have ranged all the way from the author's boredom to his nervous breakdown , although the more temperate romancing of our own day is ...
... play , have been used as something to be explained away , not as a means of explanation . Explanations have ranged all the way from the author's boredom to his nervous breakdown , although the more temperate romancing of our own day is ...
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Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow Keine Leseprobe verfügbar - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow Keine Leseprobe verfügbar - 1977 |
Häufige Begriffe und Wortgruppen
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists