Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of AthensUniversity of Pittsburgh Press, 1977 - 245 Seiten |
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Seite 76
... rule for resolving conflicts between laws . Accord- ing to this rule , any conflict can be resolved if one sets out one's obligations according to the proper order of priorities , i.e. the glory of God first , followed by our own ...
... rule for resolving conflicts between laws . Accord- ing to this rule , any conflict can be resolved if one sets out one's obligations according to the proper order of priorities , i.e. the glory of God first , followed by our own ...
Seite 180
... rules Ariel and Caliban , grows testy and monstrously self - confident . In Shakespeare's work , sanctity and ... rule by style alone : There are yet missing of your company Some few odd lads that you remember not . ( v . i . 254 ...
... rules Ariel and Caliban , grows testy and monstrously self - confident . In Shakespeare's work , sanctity and ... rule by style alone : There are yet missing of your company Some few odd lads that you remember not . ( v . i . 254 ...
Seite 203
... rule or are ruled by their appetites . The rule of appetite is therefore the focus of interest , and an audience's sense of the play's value will depend largely upon its judgement of the strength of the appetites being ruled . Palamon ...
... rule or are ruled by their appetites . The rule of appetite is therefore the focus of interest , and an audience's sense of the play's value will depend largely upon its judgement of the strength of the appetites being ruled . Palamon ...
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Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow Keine Leseprobe verfügbar - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow Keine Leseprobe verfügbar - 1977 |
Häufige Begriffe und Wortgruppen
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists