Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of AthensUniversity of Pittsburgh Press, 1977 - 245 Seiten |
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Seite 42
... shows the passivity of the martyr , perhaps of the saint ; in young Clifford he shows the passivity of the warrior who wins his peace by self - sacrifice to the battle and , by explicit statement , to the enigmatic justice it serves ...
... shows the passivity of the martyr , perhaps of the saint ; in young Clifford he shows the passivity of the warrior who wins his peace by self - sacrifice to the battle and , by explicit statement , to the enigmatic justice it serves ...
Seite 173
... shows in one swiftly understood emblem the unintelli- gence , simplicity , incongruity and , of course , thievery of their plot . Gonzalo's tears show his sympathy . Even the play's comedy is visual . Stephano's drunken dealings with ...
... shows in one swiftly understood emblem the unintelli- gence , simplicity , incongruity and , of course , thievery of their plot . Gonzalo's tears show his sympathy . Even the play's comedy is visual . Stephano's drunken dealings with ...
Seite 191
... shows us how much Shakespeare came to rely upon his audience's responsiveness , know- ing that on the day they would be there following him.8 The court scene that follows shows political lies in the making . In its first part Wolsey ...
... shows us how much Shakespeare came to rely upon his audience's responsiveness , know- ing that on the day they would be there following him.8 The court scene that follows shows political lies in the making . In its first part Wolsey ...
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Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow Keine Leseprobe verfügbar - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow Keine Leseprobe verfügbar - 1977 |
Häufige Begriffe und Wortgruppen
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists