Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of AthensUniversity of Pittsburgh Press, 1977 - 245 Seiten |
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Seite 32
... speak my conscience , Our kinsman Gloucester is as innocent From meaning treason to our royal person As is the sucking lamb or harmless dove . ( m . i . 66 ) We are surprised to find that Henry can speak firmly , courteously and ...
... speak my conscience , Our kinsman Gloucester is as innocent From meaning treason to our royal person As is the sucking lamb or harmless dove . ( m . i . 66 ) We are surprised to find that Henry can speak firmly , courteously and ...
Seite 72
... speak eight lines of comment upon what we have just heard . He has not heard Clarence speak . The only real motive for his words is the author's concentration upon his subject : Sorrow breaks seasons and reposing hours , Makes the night ...
... speak eight lines of comment upon what we have just heard . He has not heard Clarence speak . The only real motive for his words is the author's concentration upon his subject : Sorrow breaks seasons and reposing hours , Makes the night ...
Seite 105
... speak of a ' divinely sanc- tioned kingship ' , our use of the phrase implies that other adjectives could be found , that other forms of kingship could be named , and that they might be variously sanctioned . There is to our minds no ...
... speak of a ' divinely sanc- tioned kingship ' , our use of the phrase implies that other adjectives could be found , that other forms of kingship could be named , and that they might be variously sanctioned . There is to our minds no ...
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Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow Keine Leseprobe verfügbar - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow Keine Leseprobe verfügbar - 1977 |
Häufige Begriffe und Wortgruppen
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists