Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of AthensUniversity of Pittsburgh Press, 1977 - 245 Seiten |
Im Buch
Ergebnisse 1-3 von 50
Seite 35
... speech of which the ostensible theme is an appeal for sympathy by a young foreigner whose husband has neglected her . As such the speech is out of place ( Henry pays no attention to it ) , and reads like an attack of hysterics . Its ...
... speech of which the ostensible theme is an appeal for sympathy by a young foreigner whose husband has neglected her . As such the speech is out of place ( Henry pays no attention to it ) , and reads like an attack of hysterics . Its ...
Seite 42
... speech , the most remarkable in the play , and among the most remarkable in Shakespeare , invokes the military discipline of war to cure fear and disorder : O war , thou son of hell , Whom angry heavens do make their minister , Throw in ...
... speech , the most remarkable in the play , and among the most remarkable in Shakespeare , invokes the military discipline of war to cure fear and disorder : O war , thou son of hell , Whom angry heavens do make their minister , Throw in ...
Seite 82
... speech will have stood for a national , though parochial , idea of honesty and truth . In King John the Bastard stands for an altogether larger idea . Because he is truly royal he rises superior to everything in the play except truth ...
... speech will have stood for a national , though parochial , idea of honesty and truth . In King John the Bastard stands for an altogether larger idea . Because he is truly royal he rises superior to everything in the play except truth ...
Andere Ausgaben - Alle anzeigen
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow Keine Leseprobe verfügbar - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow Keine Leseprobe verfügbar - 1977 |
Häufige Begriffe und Wortgruppen
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists