Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of AthensUniversity of Pittsburgh Press, 1977 - 245 Seiten |
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Seite 45
... stage one ) that he , like York a legitimist so far , is not sincere . The cold terms of argument take new life when Henry , his ' right ' disproved and his inability to maintain it obvious , begs to be allowed to reign ' in quiet ' on ...
... stage one ) that he , like York a legitimist so far , is not sincere . The cold terms of argument take new life when Henry , his ' right ' disproved and his inability to maintain it obvious , begs to be allowed to reign ' in quiet ' on ...
Seite 65
... stage showing anxious citizens commenting upon the course of events ; and like all such scenes in Shakespeare , it makes no sense unless its audience pays the closest attention . We therefore come to take Buckingham's role in the ...
... stage showing anxious citizens commenting upon the course of events ; and like all such scenes in Shakespeare , it makes no sense unless its audience pays the closest attention . We therefore come to take Buckingham's role in the ...
Seite 165
... stage people are not real people , they neither sleep real sleep nor die real deaths . Similarly , stage gods are not real gods . If there are real gods , then like sleep and death they can only be imitated . If there are no gods , then ...
... stage people are not real people , they neither sleep real sleep nor die real deaths . Similarly , stage gods are not real gods . If there are real gods , then like sleep and death they can only be imitated . If there are no gods , then ...
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Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow Keine Leseprobe verfügbar - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow Keine Leseprobe verfügbar - 1977 |
Häufige Begriffe und Wortgruppen
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists