Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of AthensUniversity of Pittsburgh Press, 1977 - 245 Seiten |
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Seite 54
... suggests , Richard like other great criminals is virtually mad , a person of diminished moral responsibility : but his first soliloquy ( ш . ii . 124–95 ) shows even Richard as a man whose evil originates in suffering and whose crimes ...
... suggests , Richard like other great criminals is virtually mad , a person of diminished moral responsibility : but his first soliloquy ( ш . ii . 124–95 ) shows even Richard as a man whose evil originates in suffering and whose crimes ...
Seite 191
... suggests that the King , acting independently , has observed the quarrel ; the second suggests that the Cardinal has Henry in his pocket , and this equivocation raises the most important question in the play's first part : does the ...
... suggests that the King , acting independently , has observed the quarrel ; the second suggests that the Cardinal has Henry in his pocket , and this equivocation raises the most important question in the play's first part : does the ...
Seite 223
... suggests , the men spend their sexual energy in ambition . The success they desire so much ' doth embrace and hug ' the fortunate ' with amplest entertainment ' ( 1. i . 44-5 ) . The less fortunate ' labour on the bosom of this sphere ...
... suggests , the men spend their sexual energy in ambition . The success they desire so much ' doth embrace and hug ' the fortunate ' with amplest entertainment ' ( 1. i . 44-5 ) . The less fortunate ' labour on the bosom of this sphere ...
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Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow Keine Leseprobe verfügbar - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow Keine Leseprobe verfügbar - 1977 |
Häufige Begriffe und Wortgruppen
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists