Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of AthensUniversity of Pittsburgh Press, 1977 - 245 Seiten |
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Seite 46
... things shall be in common ' , and of York himself in his first soliloquy , identifying his discontent with the ... thing it is to wear a crown , Within whose circuit is Elysium And all that poets feign of bliss and joy . ( 1. ii . 29-31 ) ...
... things shall be in common ' , and of York himself in his first soliloquy , identifying his discontent with the ... thing it is to wear a crown , Within whose circuit is Elysium And all that poets feign of bliss and joy . ( 1. ii . 29-31 ) ...
Seite 73
... thing about a man . Her metaphor implies that she thought of it as a place where things happen , just as they happen in the market - place or the parliament house . Markets and parliament houses have to be made , however , and for all ...
... thing about a man . Her metaphor implies that she thought of it as a place where things happen , just as they happen in the market - place or the parliament house . Markets and parliament houses have to be made , however , and for all ...
Seite 172
... thing . He has only used such things as lay to hand . Shakespeare made the island and everything on it , and it is as much a mistake to call Prospero an artist as to call Richard II a poet . Prospero is a magician , Richard a king ...
... thing . He has only used such things as lay to hand . Shakespeare made the island and everything on it , and it is as much a mistake to call Prospero an artist as to call Richard II a poet . Prospero is a magician , Richard a king ...
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Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow Keine Leseprobe verfügbar - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow Keine Leseprobe verfügbar - 1977 |
Häufige Begriffe und Wortgruppen
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists