Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of AthensUniversity of Pittsburgh Press, 1977 - 245 Seiten |
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Seite 7
... thought that he bought the house as an investment , but that belief is based on the prior assumption that he had retired in 1611. It is just as likely that he bought the house for the same reason that , earlier in his career , he had ...
... thought that he bought the house as an investment , but that belief is based on the prior assumption that he had retired in 1611. It is just as likely that he bought the house for the same reason that , earlier in his career , he had ...
Seite 82
... thought up by the critic , either . Falconbridge is enough outside the play's society to be a chorus to the action , sufficiently inside to be one of its chief actors ; he is sufficiently ' old ' to stand for an idea of stability ...
... thought up by the critic , either . Falconbridge is enough outside the play's society to be a chorus to the action , sufficiently inside to be one of its chief actors ; he is sufficiently ' old ' to stand for an idea of stability ...
Seite 133
... thought , Pericles strives to dramatise essential , originating truth . The poet's thought and art may have their analogues in theology , but that is another matter altogether . Meanwhile , the form of Pericles invites us to pay it the ...
... thought , Pericles strives to dramatise essential , originating truth . The poet's thought and art may have their analogues in theology , but that is another matter altogether . Meanwhile , the form of Pericles invites us to pay it the ...
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Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow Keine Leseprobe verfügbar - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow Keine Leseprobe verfügbar - 1977 |
Häufige Begriffe und Wortgruppen
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists