Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 01.09.2000 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Seite 28
... Jews who were not directly or bio- graphically affected by the Shoah itself , have integrated that trauma as a basis of identification with the state founded only three years af- ter the end of the Second World War . Even the ...
... Jews who were not directly or bio- graphically affected by the Shoah itself , have integrated that trauma as a basis of identification with the state founded only three years af- ter the end of the Second World War . Even the ...
Seite 34
... Jews , how it was possible for the Jews to react like “ cattle brought to slaughter , ” the expression frequently used to describe the passivity of the Jews facing the Nazi atrocities . And in the Neve Zedek produc- tion of Adam's Purim ...
... Jews , how it was possible for the Jews to react like “ cattle brought to slaughter , ” the expression frequently used to describe the passivity of the Jews facing the Nazi atrocities . And in the Neve Zedek produc- tion of Adam's Purim ...
Seite 40
... Jews , less than a quarter of its original population . The three plays are an attempt to document minutely the life ... Jewish council of the ghetto ) , and Kittel , the Nazi officer in charge . The three plays are all deeply informed ...
... Jews , less than a quarter of its original population . The three plays are an attempt to document minutely the life ... Jewish council of the ghetto ) , and Kittel , the Nazi officer in charge . The three plays are all deeply informed ...
Inhalt
Introduction | 1 |
Three European Productions about the French Revolution | 99 |
Three American Productions of Dantons Death | 135 |
Urheberrecht | |
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Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Eingeschränkte Leseprobe - 2002 |
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Brook Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction Dybbuk examined film formance frei vom Toitland French Revolution guillotine Habima Theatre Haifa Municipal Theatre historian historical events historical past ideological Israeli Shoah Performances issue Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical Mishima museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre Sade's scene Second World Selma Sobol Sobol's Ghetto specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson Wilson's production witness
Verweise auf dieses Buch
Memory, Allegory, and Testimony in South American Theater: Upstaging ... Ana Elena Puga Keine Leseprobe verfügbar - 2008 |
Past Performance: American Theatre and the Historical Imagination Roger Bechtel Eingeschränkte Leseprobe - 2007 |