Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 01.09.2000 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Seite 53
... already a total theatrical sign by herself , is dressed in the clothes she has been wearing throughout the performance . To a certain extent , dressing all of the actors except Lina in Nazi uniforms and making them look like Hitler ...
... already a total theatrical sign by herself , is dressed in the clothes she has been wearing throughout the performance . To a certain extent , dressing all of the actors except Lina in Nazi uniforms and making them look like Hitler ...
Seite 78
... Already this evening I will destroy my friendship with my good friend Leidental . I won't drink tea with him anymore and I won't play dominoes with him . I will hurt him and pierce him ; I will kick at his friendship and I will make him ...
... Already this evening I will destroy my friendship with my good friend Leidental . I won't drink tea with him anymore and I won't play dominoes with him . I will hurt him and pierce him ; I will kick at his friendship and I will make him ...
Seite 102
... already created through the process of the rehearsals of a specific production it would be use- ful to examine the rehearsals too , not only the final result presented on the stage . It is , however , not always possible to find out in ...
... already created through the process of the rehearsals of a specific production it would be use- ful to examine the rehearsals too , not only the final result presented on the stage . It is , however , not always possible to find out in ...
Inhalt
Introduction | 1 |
Three European Productions about the French Revolution | 99 |
Three American Productions of Dantons Death | 135 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Eingeschränkte Leseprobe - 2002 |
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Brook Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction Dybbuk examined film formance frei vom Toitland French Revolution guillotine Habima Theatre Haifa Municipal Theatre historian historical events historical past ideological Israeli Shoah Performances issue Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical Mishima museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre Sade's scene Second World Selma Sobol Sobol's Ghetto specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson Wilson's production witness
Verweise auf dieses Buch
Memory, Allegory, and Testimony in South American Theater: Upstaging ... Ana Elena Puga Keine Leseprobe verfügbar - 2008 |
Past Performance: American Theatre and the Historical Imagination Roger Bechtel Eingeschränkte Leseprobe - 2007 |