Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 01.09.2000 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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... position , arguing from what I understand to be an es- sentialist position that the necessity of testimony it [ this film ] affirms in reality stems , para- doxically enough , from the impossibility of testimony that the film at the ...
... position , arguing from what I understand to be an es- sentialist position that the necessity of testimony it [ this film ] affirms in reality stems , para- doxically enough , from the impossibility of testimony that the film at the ...
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... position , which according to Barbara Freedman can be clearly distinguished Energies since the Renaissance , depends on what she has described as “ an epis- 204 Theatrical temological model based upon an observer who stands outside of ...
... position , which according to Barbara Freedman can be clearly distinguished Energies since the Renaissance , depends on what she has described as “ an epis- 204 Theatrical temological model based upon an observer who stands outside of ...
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... position of the witness . This wit- ness is able to tell the spectators something about the experiences previously ... position , and the performance of Mishima's Madame de Sade directed by Ingmar Bergman clearly gives both the Countess ...
... position of the witness . This wit- ness is able to tell the spectators something about the experiences previously ... position , and the performance of Mishima's Madame de Sade directed by Ingmar Bergman clearly gives both the Countess ...
Inhalt
Introduction | 1 |
Three European Productions about the French Revolution | 99 |
Three American Productions of Dantons Death | 135 |
Urheberrecht | |
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Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Eingeschränkte Leseprobe - 2002 |
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Brook Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction Dybbuk examined film formance frei vom Toitland French Revolution guillotine Habima Theatre Haifa Municipal Theatre historian historical events historical past ideological Israeli Shoah Performances issue Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical Mishima museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre Sade's scene Second World Selma Sobol Sobol's Ghetto specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson Wilson's production witness
Verweise auf dieses Buch
Memory, Allegory, and Testimony in South American Theater: Upstaging ... Ana Elena Puga Keine Leseprobe verfügbar - 2008 |
Past Performance: American Theatre and the Historical Imagination Roger Bechtel Eingeschränkte Leseprobe - 2007 |