Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 01.09.2000 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Seite xii
... witness about the Shoah after the " natural " death of the survivors : Niemand zeugt für den Zeugen Nobody can bear witness for the witnesses , Celan says . No one but the survivors themselves can become a witness about what happened in ...
... witness about the Shoah after the " natural " death of the survivors : Niemand zeugt für den Zeugen Nobody can bear witness for the witnesses , Celan says . No one but the survivors themselves can become a witness about what happened in ...
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... witness of the historical event . As a witness the actor does not necessarily have to strive toward complete neutrality or objectiv- ity in order to make it possible for the spectators , the " bystanders " in the theatre , to become ...
... witness of the historical event . As a witness the actor does not necessarily have to strive toward complete neutrality or objectiv- ity in order to make it possible for the spectators , the " bystanders " in the theatre , to become ...
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... witness.4 Felman's position is not primarily determined by Lanzman's ma- nipulation of his witnesses , an aspect of ... witness ) , but the ways in which the testimony itself , the words of the witness , can become embedded within a ...
... witness.4 Felman's position is not primarily determined by Lanzman's ma- nipulation of his witnesses , an aspect of ... witness ) , but the ways in which the testimony itself , the words of the witness , can become embedded within a ...
Inhalt
Introduction | 1 |
Three European Productions about the French Revolution | 99 |
Three American Productions of Dantons Death | 135 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Eingeschränkte Leseprobe - 2002 |
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Brook Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction Dybbuk examined film formance frei vom Toitland French Revolution guillotine Habima Theatre Haifa Municipal Theatre historian historical events historical past ideological Israeli Shoah Performances issue Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical Mishima museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre Sade's scene Second World Selma Sobol Sobol's Ghetto specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson Wilson's production witness
Verweise auf dieses Buch
Memory, Allegory, and Testimony in South American Theater: Upstaging ... Ana Elena Puga Keine Leseprobe verfügbar - 2008 |
Past Performance: American Theatre and the Historical Imagination Roger Bechtel Eingeschränkte Leseprobe - 2007 |