 It is in reality simply a part of the essential richness of inspiration — it has nothing tt do with the artistic process, and it has everything to do with the artistic effect.  Art and Common Sense - Seite 15von Royal Cortissoz - 1913 - 445 SeitenVollansicht - Über dieses Buch
 | Henry James - 1878 - 458 Seiten
...same, as if it were a coloui'ed fluid kept in a biglabelled bottle in some mysterious intellectual closet. It is in reality simply a part of the essential...richness of inspiration — it has nothing to do with the autistic process and it has everything to do with the artistic effect. The more a work of art feels... | |
 | Thomas Wentworth Higginson - 1880 - 76 Seiten
...southern slope of the mind," l and says of the ethical element, " It is in reality simply a part of the richness of inspiration : it has nothing to do with the artistic process, and it has every thing to do with the artistic effect." * This is admirable ; and it is a vindication of this... | |
 | Mary Fisher - 1899 - 408 Seiten
...the same, as if it were a colored fluid kept in a big-labelled bottle in some mysterious intellectual closet. It is in reality simply a part of the essential richness of inspiration — it has nothing tt do with the artistic process, and it has everything to do with the artistic effect. The more a work... | |
 | William Morton Payne - 1904 - 352 Seiten
...Nothing, for example, could be truer and finer than this remark about the moral element in literature: " It is in reality simply a part of the essential richness...it has everything to do with the artistic effect." His judgments are rarely at fault, and are expressed with a delicacy of shading such as few, if any,... | |
 | Irving Babbitt, Van Wyck Brooks, William Crary Brownell, Ernest Augustus Boyd, Thomas Stearns Eliot, Henry Louis Mencken, Stuart Pratt Sherman, Joel Elias Spingarn, George Edward Woodberry - 1924 - 342 Seiten
...ears to hear, or hands to reach what lies within its own sphere." — JOHN BURROUGHS. "It [morality] is in reality simply a part of the essential richness...it has everything to do with the artistic effect. ... Be the morality false or true, the writer's deference to it greets us as a kind of essential perfume."... | |
 | Irving Babbitt - 1924 - 342 Seiten
...ears to hear, or hands to reach what lies within its own sphere." — JOHN BURROUGHS. "It [morality] is in reality simply a part of the essential richness...it has everything to do with the artistic effect. ... Be the morality false or true, the writer's deference to it greets us as a kind of essential perfume."... | |
 | 1878 - 810 Seiten
...spirit. They talk of morality as Miss Edgeworth's infantine heroes and heroines talk of ' physic "... It is in reality simply a part of the essential richness...it has everything to do with the artistic effect." That is almost the best thing in this superior book. The point has hardly been put with so much grasp... | |
 | Graham Clarke - 1991 - 452 Seiten
...which he holds the moral element of a work of art. Morality, he somewhere affirms, is simply a pan of the essential richness of inspiration — it has...artistic effect. The more a work of art feels it at its sourre, the richer it is; the less it feels it, the poorer it is. People of a large taste prefer rich... | |
 | Fred Kaplan - 1999 - 680 Seiten
...same, as if it were a coloured fluid kept in a big-labelled bottle in some mysterious intellectual closet. It is in reality simply a part of the essential...the artistic effect. The more a work of art feels it as its source, the richer it is."13 Apparently Flaubert knew nothing about the young. American writer's... | |
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