Shakespeare and Elizabethan Poetry: A Study of His Earlier Work in Relation to the Poetry of the TimeChatto and Windus, 1951 - 279 Seiten |
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Seite 89
... audience were more intimate and complex than those which obtain between actors and audience to - day . Physically they were much closer , with part of the audience sitting on the stage : they were also more familiar with one another ...
... audience were more intimate and complex than those which obtain between actors and audience to - day . Physically they were much closer , with part of the audience sitting on the stage : they were also more familiar with one another ...
Seite 93
... audience . The original function of drama as religious ceremony made the spectator integral to it . When the comic torturers scourged Christ in the miracle plays , the audience would recognize themselve in these macabre figures , since ...
... audience . The original function of drama as religious ceremony made the spectator integral to it . When the comic torturers scourged Christ in the miracle plays , the audience would recognize themselve in these macabre figures , since ...
Seite 169
... audience might have been quite willing to see it worked out as a species of morality play , without taking the personal aspect into account . What is now called ' the love interest ' is generally overweighted in the modern view of ...
... audience might have been quite willing to see it worked out as a species of morality play , without taking the personal aspect into account . What is now called ' the love interest ' is generally overweighted in the modern view of ...
Inhalt
Medieval and Modern I | 1 |
Court Poetry of Elizabeths | 18 |
Elizabethan Poetic and | 35 |
Urheberrecht | |
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Shakespeare and Elizabethan Poetry: A Study of His Earlier Work in Relation ... M. C. Bradbrook Eingeschränkte Leseprobe - 1979 |
Häufige Begriffe und Wortgruppen
appear audience Bassanio Beatrice beauty Ben Jonson Benedick Berowne Bertram Chapman chapter characters Claudio clowns colours comedy comic contrast court courtier courtly decorum disguise dramatic Drayton's echoes Elizabethan emblematic embodiment eyes Falstaff figures fool Hamlet hath Hellen Henry Henry IV Hero and Leander honour Hotspur imagery Jonson kind King lady lament literary lively Lord loue Love's Labour's Lost lovers Lucrece Marlowe Marlowe's masque medieval mirror mistress mock modern moral Nature night Ovidian Romance parody pattern perhaps Petrarchan Phoebe Platonic play poem poet poetry popular Prince Proteus Puttenham Queen Rape of Lucrece relation Revenge rhetorical Richard Richard II Romeo and Juliet Rosalind scene sense Shakespeare Shylock Sidney Silvia soliloquy song sonnets species speech Spenser stage story style symbolic thee theme thou Titus Titus Andronicus tradition tragedy tragic Troilus Twelfth Night Venus and Adonis wooing words writing