The New Pelican Guide to English Literature: The age of ShakespeareBoris Ford Penguin Books, 1982 - 576 Seiten V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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Seite 7
... living literature and for the values it embodies . The Guide is partly designed for the committed student of litera- ture . But it has also been written for those many readers who accept with genuine respect what is known as ' our ...
... living literature and for the values it embodies . The Guide is partly designed for the committed student of litera- ture . But it has also been written for those many readers who accept with genuine respect what is known as ' our ...
Seite 191
... diminished ( C. O le , me , living , die , 8 let me , liv - ing , let me liv - ing , liv - ing , die , Till death , till death do come , O Till death , till death do come , till till- death do d come , dark - ness let me dwell . P d.
... diminished ( C. O le , me , living , die , 8 let me , liv - ing , let me liv - ing , liv - ing , die , Till death , till death do come , O Till death , till death do come , till till- death do d come , dark - ness let me dwell . P d.
Seite 330
... living verse ; and the verse in turn works in conjunction with the dramatic action and our sense of what the different persons of the drama stand for as each play develops . The greater Shakespeare plays thus demand an unusual activity ...
... living verse ; and the verse in turn works in conjunction with the dramatic action and our sense of what the different persons of the drama stand for as each play develops . The greater Shakespeare plays thus demand an unusual activity ...
Inhalt
BORIS FORD | 7 |
L G SALINGAR | 15 |
PART II | 24 |
Urheberrecht | |
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action appears audience called Cambridge century Chapman characters classical close comedy common contrast court critics death drama edition effect elements Elizabethan England English English Studies especially Essays example experience expression feeling figure final force give Hamlet hand hero human humour imagination important interest Italy Jonson kind King language later Lear learning less lines literary literature living London means mind moral nature night notes once passion period play plot poem poet poetic poetry political popular present printing Queene reader reason relation Renaissance rhetoric romantic satire scene seems sense Shakespeare Sidney social Sonnets speech Spenser stage Studies suggests theatre theme things Thou thought tradition tragedy true turn University verse whole writing York