The New Pelican Guide to English Literature: The age of ShakespeareBoris Ford Penguin Books, 1982 - 576 Seiten V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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Seite 83
... poetic rapture and poetic fantasy in his early comedies and the first of his tragedies ( 1599–1601 ) . And Jonson is even more deliberate in his portraits of the true poet - partly , but not wholly , justifications of himself ...
... poetic rapture and poetic fantasy in his early comedies and the first of his tragedies ( 1599–1601 ) . And Jonson is even more deliberate in his portraits of the true poet - partly , but not wholly , justifications of himself ...
Seite 96
... poets , belongs to the same phase of poetic development . He makes the Elizabethan lyric more dialectical and more intimate ; and he shares the poetic interests of both Chapman and Davies . But this group of philosophical poems , while ...
... poets , belongs to the same phase of poetic development . He makes the Elizabethan lyric more dialectical and more intimate ; and he shares the poetic interests of both Chapman and Davies . But this group of philosophical poems , while ...
Seite 393
... poetic texture . Both in this book and in The Moral System of Shakespeare Moulton pro- jected into the poet's work his own moral prepossessions . Although Shakespeare inherited a belief in the didactic function of drama , his moral ...
... poetic texture . Both in this book and in The Moral System of Shakespeare Moulton pro- jected into the poet's work his own moral prepossessions . Although Shakespeare inherited a belief in the didactic function of drama , his moral ...
Inhalt
BORIS FORD | 7 |
L G SALINGAR | 15 |
PART II | 24 |
Urheberrecht | |
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action appears audience called Cambridge century Chapman characters classical close comedy common contrast court critics death drama edition effect elements Elizabethan England English English Studies especially Essays example experience expression feeling figure final force give Hamlet hand hero human humour imagination important interest Italy Jonson kind King language later Lear learning less lines literary literature living London means mind moral nature night notes once passion period play plot poem poet poetic poetry political popular present printing Queene reader reason relation Renaissance rhetoric romantic satire scene seems sense Shakespeare Sidney social Sonnets speech Spenser stage Studies suggests theatre theme things Thou thought tradition tragedy true turn University verse whole writing York