The New Pelican Guide to English Literature: The age of ShakespeareBoris Ford Penguin Books, 1982 - 576 Seiten V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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Seite 53
... rhetoric , with resonant persuasion : I sought fit words to paint the blackest face of woe . What is new in the later poet is not his feeling or his introspection but his manner of address , the concentrated interplay between emo- tion ...
... rhetoric , with resonant persuasion : I sought fit words to paint the blackest face of woe . What is new in the later poet is not his feeling or his introspection but his manner of address , the concentrated interplay between emo- tion ...
Seite 90
... Rhetoric ' , according , for example , to Bacon , ' is to apply Reason to Imagination for the better moving of the will ' ( The Advancement of Learning , 1605 ) . Rhetoric was one of the few branches of contemporary learning that the ...
... Rhetoric ' , according , for example , to Bacon , ' is to apply Reason to Imagination for the better moving of the will ' ( The Advancement of Learning , 1605 ) . Rhetoric was one of the few branches of contemporary learning that the ...
Seite 108
... rhetoric has been changed . The regular emphatic verse of Sidney , Marlowe , or Kyd has been reshaped into something more fluid and colloquial , while the high - pitched but stiff decorum of early rhetoric has yielded to more deliberate ...
... rhetoric has been changed . The regular emphatic verse of Sidney , Marlowe , or Kyd has been reshaped into something more fluid and colloquial , while the high - pitched but stiff decorum of early rhetoric has yielded to more deliberate ...
Inhalt
BORIS FORD | 7 |
L G SALINGAR | 15 |
PART II | 24 |
Urheberrecht | |
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action appears audience called Cambridge century Chapman characters classical close comedy common contrast court critics death drama edition effect elements Elizabethan England English English Studies especially Essays example experience expression feeling figure final force give Hamlet hand hero human humour imagination important interest Italy Jonson kind King language later Lear learning less lines literary literature living London means mind moral nature night notes once passion period play plot poem poet poetic poetry political popular present printing Queene reader reason relation Renaissance rhetoric romantic satire scene seems sense Shakespeare Sidney social Sonnets speech Spenser stage Studies suggests theatre theme things Thou thought tradition tragedy true turn University verse whole writing York