The New Pelican Guide to English Literature: The age of ShakespeareBoris Ford Penguin Books, 1982 - 576 Seiten V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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Seite 370
... turn expresses a similar desire to live outside time , to hold up the course of mutability in a way that is ultimately impos- sible : What you do Still betters what is done . When you speak , sweet , I'd have you do it ever . When you ...
... turn expresses a similar desire to live outside time , to hold up the course of mutability in a way that is ultimately impos- sible : What you do Still betters what is done . When you speak , sweet , I'd have you do it ever . When you ...
Seite 380
... turn or two I'll walk To still my beating mind . ( Iv . i ) - What , we may well ask , is happening at this point ? It is of course impossible to be sure , easy to project into these words elements of our own creation : but the answer ...
... turn or two I'll walk To still my beating mind . ( Iv . i ) - What , we may well ask , is happening at this point ? It is of course impossible to be sure , easy to project into these words elements of our own creation : but the answer ...
Seite 405
... turn it away from study , in a humour ; but come to it again on better cogi- tation ; try another time with labour . If then it succeed not , cast not away the quills yet : nor scratch the wainscot , beat not the poor desk , but bring ...
... turn it away from study , in a humour ; but come to it again on better cogi- tation ; try another time with labour . If then it succeed not , cast not away the quills yet : nor scratch the wainscot , beat not the poor desk , but bring ...
Inhalt
BORIS FORD | 7 |
L G SALINGAR | 15 |
PART II | 24 |
Urheberrecht | |
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action appears audience called Cambridge century Chapman characters classical close comedy common contrast court critics death drama edition effect elements Elizabethan England English English Studies especially Essays example experience expression feeling figure final force give Hamlet hand hero human humour imagination important interest Italy Jonson kind King language later Lear learning less lines literary literature living London means mind moral nature night notes once passion period play plot poem poet poetic poetry political popular present printing Queene reader reason relation Renaissance rhetoric romantic satire scene seems sense Shakespeare Sidney social Sonnets speech Spenser stage Studies suggests theatre theme things Thou thought tradition tragedy true turn University verse whole writing York