Treatises on Poetry, Modern Romance, and Rhetoric: Being the Articles Contributed to the Encyclopaedia Britannica, 7th EdBlack, 1839 - 381 Seiten |
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Seite 5
... practical bearing upon important interests , of the abuse of a fine art , is more felt , and justly , in poetry than in any other . In painting , for instance , Parrhasius , Julio Roma- no , Annibal Caracci , and Titian , have ...
... practical bearing upon important interests , of the abuse of a fine art , is more felt , and justly , in poetry than in any other . In painting , for instance , Parrhasius , Julio Roma- no , Annibal Caracci , and Titian , have ...
Seite 12
... practical distinction between fancy and imagination , so far as regards the imagery or ornaments of poetry ; though , as we have already said , the higher efforts of conception , and the gene- ral design , fall almost entirely , in ...
... practical distinction between fancy and imagination , so far as regards the imagery or ornaments of poetry ; though , as we have already said , the higher efforts of conception , and the gene- ral design , fall almost entirely , in ...
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... practical , the most abounding in wisdom , both of a worldly and of a higher kind . But , in addition to the natural gifts of sensibility to feel , memory to retain impressions , imagination and fancy to fashion new conceptions , and ...
... practical , the most abounding in wisdom , both of a worldly and of a higher kind . But , in addition to the natural gifts of sensibility to feel , memory to retain impressions , imagination and fancy to fashion new conceptions , and ...
Seite 67
... practical sagacity , than the works of any of the classic poets . But the merits of Horace , though most conspicuous as a lyric poet , are great also as a satirist . Lucilius had indeed made the first approach to the regular form of ...
... practical sagacity , than the works of any of the classic poets . But the merits of Horace , though most conspicuous as a lyric poet , are great also as a satirist . Lucilius had indeed made the first approach to the regular form of ...
Seite 73
... practical influence upon society , and of course upon literature . Hence the gloomy and superstitious character impressed upon many of the earlier productions of all nations ; and which , during the fifteenth , sixteenth , and ...
... practical influence upon society , and of course upon literature . Hence the gloomy and superstitious character impressed upon many of the earlier productions of all nations ; and which , during the fifteenth , sixteenth , and ...
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Häufige Begriffe und Wortgruppen
admitted Æneid ancient appears argument Ariosto Aristotle beauty belief Boccaccio century character charm chivalry Cicero Clara Reeve comic composition critical Ctesiphon Demosthenes discourse drama effect eloquence English epic excitement exhibited extravagant fact fancy feeling fiction French genius Goethe grace Greece Greek hearers Hesiod Homer human humour Iliad imagery imagination imitations impression incidents influence interest invention Italian Italian poetry language less literature lyric lyric poetry manner ment merit mind Minnesingers modern moral nature novel novelists observation orator oratory painting passion peculiar period personages Petrarch philosophy Pindar poem poet poetical poetry possess present principles probably produced proof prose Provençal qualities racter reasoning remarkable render rhetoric rhetorical Induction romance satire says scarcely scenes Scott seems sense sentiment Sir Walter Scott Smollett Spanish Spanish poetry speaker spirit Sterne style success tale taste tion tone truth verses Voltaire words writer
Beliebte Passagen
Seite 25 - Poetry produces an illusion on the eye of the mind, as a magic lantern produces an illusion on the eye of the body. And, as the magic lantern acts best in a dark room, poetry effects its purpose most completely in a dark age.
Seite 200 - Like one, that on a lonesome road Doth walk in fear and dread, And having once turned round walks on, And turns no more his head ; Because he knows, a frightful fiend Doth close behind him tread.
Seite 3 - Whatever withdraws us from the power of our senses, whatever makes the past, the distant, or the future predominate over the present, advances us in the dignity of thinking beings.
Seite 13 - The law under which the processes of Fancy are carried on is as capricious as the accidents of things, and the effects are surprising, playful, ludicrous, amusing, tender, or pathetic, as the objects happen to be appositely produced or fortunately combined. Fancy depends upon the rapidity and profusion with which she scatters her thoughts and images ; trusting that their number, and the felicity with which they are linked together, will make amends for the want of individual value...
Seite 54 - Hesperus ! thou bringest all good things — Home to the weary, to the hungry cheer, To the young bird the parent's brooding wings, The welcome stall to the...
Seite 115 - Mais elle était du monde où les plus belles choses Ont le pire destin ; Et rose elle a vécu ce que vivent les roses, L'espace d'un matin.
Seite 2 - POETRY is not the proper antithesis to prose, but to science. Poetry is opposed to science, and prose to metre. The proper and immediate object of science is the acquirement, or communication, of truth ; the proper and immediate object of poetry is the communication of immediate pleasure.
Seite 13 - But the imagination is conscious of an indestructible dominion ; the soul may fall away from it, not being able to sustain its grandeur ; but if once felt and acknowledged, by no act of any other faculty of the mind can it be relaxed, impaired, or diminished. Fancy is given to quicken and to beguile the temporal part of our nature, imagination to incite and support the eternal.
Seite 34 - ... .Then said he unto me, prophesy unto the wind, prophesy, Son of man, and say to the wind, thus saith the Lord God; Come from the four winds, O breath, and breathe upon these slain, that they may live.
Seite 358 - It is rapid harmony, exactly adjusted to the sense. It is vehement reasoning, without any appearance of art. It is disdain, anger, boldness, freedom, involved in a continual stream of argument. And of all human productions, the orations of Demosthenes present to us the models which approach the nearest to perfection.