Dramatis Personae: The Rise of Medieval and Renaissance TheatrePeter Owen, 2006 - 931 Seiten Touching on "Passion Plays" and "Mysteries and Moralities," this exploration also examines the folk farces that flourished during the Middle Ages. Discussing developments during the Renaissance in Italy such as the commedia dell'arte as well as exalted musical innovations culminating in operas and ballets, the book also discusses the drama of Europe--including Spain, France, Germany, Holland, and Great Britain--where theater reached an extraordinary climax in the Elizabethan and Jacobean periods in the work of Shakespeare and others. Providing a summary of Shakespeare's plays and how they have been interpreted through the centuries, this account also examines in detail his contemporaries--Marlowe, Kyd, Ford, Beaumont, Fletcher, and others-- before considering the work of Jonson and Webster, two great dramatists who outlived the Bard. |
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Seite 25
... became highly popular and was similarly enacted in other churches throughout Western and Eastern Europe . Other parts of the mass lent themselves quite as effectively to this dramatic heightening : the Depositio Crucis , projected by ...
... became highly popular and was similarly enacted in other churches throughout Western and Eastern Europe . Other parts of the mass lent themselves quite as effectively to this dramatic heightening : the Depositio Crucis , projected by ...
Seite 250
... became quite wordless , a theatre of pure pantomime . In fact the Italian companies , playing in foreign countries with unfamiliar languages - and regional argot and dialects - had always depended extensively on gesture . In France this ...
... became quite wordless , a theatre of pure pantomime . In fact the Italian companies , playing in foreign countries with unfamiliar languages - and regional argot and dialects - had always depended extensively on gesture . In France this ...
Seite 256
... became the partner of Brich , a musical clown , and together they travelled around Europe and Latin America . Forming a new relationship ( 1907 ) , he teamed up with the famous clown Antonet . Four years later he became a soloist and ...
... became the partner of Brich , a musical clown , and together they travelled around Europe and Latin America . Forming a new relationship ( 1907 ) , he teamed up with the famous clown Antonet . Four years later he became a soloist and ...
Inhalt
Preface | 17 |
Medieval Farces | 87 |
The Feast of Asses and the Feast of Fools | 97 |
Urheberrecht | |
22 weitere Abschnitte werden nicht angezeigt.
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