Shakespeare: the Comedies: A Collection of Critical EssaysKenneth Muir Prentice-Hall, 1965 - 183 Seiten From the Back Cover: Despite differences between Shakespeare's time and ours in language, in taste, in mores, his comedies still produce that sure sign of success-uninhibited laughter. But, as the critics in this volume ably contend, the world of Shakespearean comedy is made of more than make-believe, quick action, and brilliant repartee. Shakespeare's genius was to probe, delicately but deeply, subtle and enduring characteristics of humanity. Each play is set in a land of its own, yet through these lands move characters recognizable in our own world. The reality of these characters is only enhanced by ethereal creatures of the imagination like Puck and Ariel, who weave about them poetic merriment unsurpassed in comic literature. Among the essays in this volume are: As You Like It / Helen Gardener -- Winter's Tale / Derek Traversi -- Helena / G. Wilson Knight -- Shakespeare's Method: The Merchant of Venice / J. Middleton Murry. |
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Seite 101
... Mariana to love Angelo " whom we hate . " 25 To enumerate the ninety - six other just persons would be to write a bibliography of Measure for Measure , which is no part of my intention . Rather I turn to Mariana as she implores pardon ...
... Mariana to love Angelo " whom we hate . " 25 To enumerate the ninety - six other just persons would be to write a bibliography of Measure for Measure , which is no part of my intention . Rather I turn to Mariana as she implores pardon ...
Seite 114
... Mariana - plan , he still urges Claudio to expect immediate death . We should note , too , that he claims to know Angelo's mind by virtue of being Angelo's confessor . One does not have to be deeply religious to be affronted by this ...
... Mariana - plan , he still urges Claudio to expect immediate death . We should note , too , that he claims to know Angelo's mind by virtue of being Angelo's confessor . One does not have to be deeply religious to be affronted by this ...
Seite 115
... Mariana " thou pernicious woman , ' and then , in his Friar's disguise , tells them both that their cause is lost . Later he laments with Isabella that he was not able to hinder Claudio's death : O most kind maid ! It was the swift ...
... Mariana " thou pernicious woman , ' and then , in his Friar's disguise , tells them both that their cause is lost . Later he laments with Isabella that he was not able to hinder Claudio's death : O most kind maid ! It was the swift ...
Inhalt
INTRODUCTIONKenneth Muir | 1 |
THEMES AND STRUCTURE IN THE COMEDY OF ERRORS | 11 |
A MIDSUMMERNIGHTS DREAMErnest Schanzer | 32 |
Urheberrecht | |
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action Angelo appears asks audience becomes beginning believe Bertram brings brother called characters Christian Claudio comedy comic complete contrast course court critics death disguised Dream Duke effect Elizabethan English Errors expression eyes fact father feeling final follow fool forgiveness given gives happiness Heaven Helena honor human husband idea identity imagination interest Isabel kind King later less lines living lovers Mariana marriage master means Measure for Measure Merchant of Venice mind moral nature nobility Olivia once perhaps persons Plautus play plot poetic present Providence reason regard relation says scene seems sense Shakespeare Shylock situation soliloquy speak speech stage story structure suggest suppose Tale tells theme things thought true turn virtue whole wife woman young