Shakespeare: the Comedies: A Collection of Critical EssaysKenneth Muir Prentice-Hall, 1965 - 183 Seiten From the Back Cover: Despite differences between Shakespeare's time and ours in language, in taste, in mores, his comedies still produce that sure sign of success-uninhibited laughter. But, as the critics in this volume ably contend, the world of Shakespearean comedy is made of more than make-believe, quick action, and brilliant repartee. Shakespeare's genius was to probe, delicately but deeply, subtle and enduring characteristics of humanity. Each play is set in a land of its own, yet through these lands move characters recognizable in our own world. The reality of these characters is only enhanced by ethereal creatures of the imagination like Puck and Ariel, who weave about them poetic merriment unsurpassed in comic literature. Among the essays in this volume are: As You Like It / Helen Gardener -- Winter's Tale / Derek Traversi -- Helena / G. Wilson Knight -- Shakespeare's Method: The Merchant of Venice / J. Middleton Murry. |
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Seite 54
... plots have their implicit correspondences , how they genuinely belong together . " Nothing can permanently please , which does ... plot in The Miller's Tale . ful fury , and threatening duels , equally mistake themselves 54 A. P. Rossiter.
... plots have their implicit correspondences , how they genuinely belong together . " Nothing can permanently please , which does ... plot in The Miller's Tale . ful fury , and threatening duels , equally mistake themselves 54 A. P. Rossiter.
Seite 55
... plot is always in fact on account of the characters , not vice versa , as in almost all other writers ; the plot is a mere canvas and no more , ' " 8 I still think that plot ( in a deeper sense than " story " ) is here even more ...
... plot is always in fact on account of the characters , not vice versa , as in almost all other writers ; the plot is a mere canvas and no more , ' " 8 I still think that plot ( in a deeper sense than " story " ) is here even more ...
Seite 61
... plot in either of these two lovely plays , or in the enchanting early comedy Love's Labour's Lost , which indeed has hardly any plot at all , can be regarded as the " soul " or animating force of Shakespeare's most original and ...
... plot in either of these two lovely plays , or in the enchanting early comedy Love's Labour's Lost , which indeed has hardly any plot at all , can be regarded as the " soul " or animating force of Shakespeare's most original and ...
Inhalt
INTRODUCTIONKenneth Muir | 1 |
THEMES AND STRUCTURE IN THE COMEDY OF ERRORS | 11 |
A MIDSUMMERNIGHTS DREAMErnest Schanzer | 32 |
Urheberrecht | |
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