In Contact With the Gods?: Directors Talk TheatreMaria M. Delgado, Paul Heritage Manchester University Press, 1996 - 342 Seiten In 1994 the Arts Council of Great Britain brought together a number of theatre directors as part of the City of Drama celebrations. This is a collection of interviews and discussions with directors who have helped shape the development of theatre in the last 20 years. They include Peter Brook, Peter Stein, Augusto Boal, Jorge Lavelli, Lluis Pasqual, Lev Dodin, Maria Irene Fornes, Jonathan Miller, Jatinder Verma, Peter Sellars, Declan Donnellan, Ariane Mnouchkine, Ion Caramitru, Yukio Ninagawa and Robert Wilson. In addition to the art and craft of directing, there are discussions on multiculturalism; the "classical" repertoire; theatre companies and institutions; working in a foreign language; opera; Shakespeare; new technologies; the art of acting; design; international festivals; politics and aesthetics; the audience; and theatre and society. Finally, there is an epilogue by Peter Brook, Jonathan Miller and Oliver Sacks. |
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... politics and aesthetics ; the audience ; theatre and society . An extraordinary epilogue by Peter Brook , Jonathan Miller and Oliver Sacks is a fitting finale to a book that should occupy a privileged place on the bookshelves of ...
... politics and aesthetics ; the audience ; theatre and society . An extraordinary epilogue by Peter Brook , Jonathan Miller and Oliver Sacks is a fitting finale to a book that should occupy a privileged place on the bookshelves of ...
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... political theatre , or Sellars and Verma talking about inter - racial casting . 3 The international scope of the book also recognises the working conditions and concerns of most of these directors . Inter- nationalism is both form and ...
... political theatre , or Sellars and Verma talking about inter - racial casting . 3 The international scope of the book also recognises the working conditions and concerns of most of these directors . Inter- nationalism is both form and ...
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... political and individual needs as described in detail by Lavelli . The reasons why and how a direc- tor chooses a play are subject to diverse forces , but it is interesting to note that Stein describes it as the director's most powerful ...
... political and individual needs as described in detail by Lavelli . The reasons why and how a direc- tor chooses a play are subject to diverse forces , but it is interesting to note that Stein describes it as the director's most powerful ...
Seite 1
... political and social realities . Clearly the performance value of his work is mediated by various factors , not least the colonising effect of English language and culture . At times this cultural potency can be used to dynamic effect ...
... political and social realities . Clearly the performance value of his work is mediated by various factors , not least the colonising effect of English language and culture . At times this cultural potency can be used to dynamic effect ...
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... political resistance ; for Wilson , theatre is a necessity in society because it is a place where people come together to have an exchange of ideas and feel- ings ; for Sellars , it is a room in which to ask if anyone out there has ...
... political resistance ; for Wilson , theatre is a necessity in society because it is a place where people come together to have an exchange of ideas and feel- ings ; for Sellars , it is a room in which to ask if anyone out there has ...
Inhalt
AUGUSTO BOAL | |
PETER BROOK | |
ION CARAMITRU | 7 |
LEV DODIN | |
DECLAN DONNELLAN AND NICK ORMEROD | 7 |
MARIA IRENE FORNES | |
JORGE LAVELLI | |
ROBERT LEPAGE | |
LLUÍS PASQUAL | 3 |
PETER SELLARS | 25 |
PETER STEIN | 11 |
GIORGIO STREHLER | 17 |
JATINDER VERMA | |
ROBERT WILSON | |
Six hemispheres in search of PETER BROOK JONATHAN MILLER AND OLIVER SACKS IN CONVERSATION | |
NOTES ON CONTRIBUTORS | 11 |
Häufige Begriffe und Wortgruppen
acting actors actually Ariane Mnouchkine artistic AUDIENCE QUESTION AUGUSTO BOAL BILLINGTON Boal Brecht British CARAMITRU character Cheek by Jowl Chekhov classics CONTACT contemporary create culture DECLAN DONNELLAN DELGADO directing director Dodin DONNELLAN Drama English Europe European everything experience feel Festival film French German Giorgio Strehler GODS GOLDENBERG happens Hiroshima human idea important interesting Japanese Jonathan Miller JORGE LAVELLI kind language Lev Dodin live Lluís Pasqual London look Manchester Maria Irene Fornes MCALPINE mean Molière National Theatre never NINAGAWA Odéon opera Paris performance person Peter Brook Peter Sellars Peter Stein Piccolo play playwright political problem production realise rehearsal ROBERT LEPAGE Robert Wilson role Romania Schaubühne sense someone sometimes sort space stage story Strehler talk Teatro tell Théâtre de l'Europe theatrical there's things tion tour tradition what's William Shakespeare word writing Yukio Ninagawa
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'Other' Spanish Theatres: Erasure and Inscription on the Twentieth Century ... Maria M. Delgado Eingeschränkte Leseprobe - 2003 |
Les Tragédies grecques sur la scène moderne: Une utopie théâtrale Patricia Vasseur-Legangneux Eingeschränkte Leseprobe - 2004 |