In Contact With the Gods?: Directors Talk TheatreMaria M. Delgado, Paul Heritage Manchester University Press, 1996 - 342 Seiten In 1994 the Arts Council of Great Britain brought together a number of theatre directors as part of the City of Drama celebrations. This is a collection of interviews and discussions with directors who have helped shape the development of theatre in the last 20 years. They include Peter Brook, Peter Stein, Augusto Boal, Jorge Lavelli, Lluis Pasqual, Lev Dodin, Maria Irene Fornes, Jonathan Miller, Jatinder Verma, Peter Sellars, Declan Donnellan, Ariane Mnouchkine, Ion Caramitru, Yukio Ninagawa and Robert Wilson. In addition to the art and craft of directing, there are discussions on multiculturalism; the "classical" repertoire; theatre companies and institutions; working in a foreign language; opera; Shakespeare; new technologies; the art of acting; design; international festivals; politics and aesthetics; the audience; and theatre and society. Finally, there is an epilogue by Peter Brook, Jonathan Miller and Oliver Sacks. |
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... stage . Although their work is based on communication , their words and actions remain inside the rehearsal room . This book is a small attempt to bring some of their words and insights on theatre into a more public arena , an ...
... stage . Although their work is based on communication , their words and actions remain inside the rehearsal room . This book is a small attempt to bring some of their words and insights on theatre into a more public arena , an ...
Seite
... Stage of the Globe ' , p . 21 ) . The reasons and means these directors have for approaching Shakespeare's texts offer an invigorating way to reappraise the plays . Brook's interview with Billington for this book describes how working ...
... Stage of the Globe ' , p . 21 ) . The reasons and means these directors have for approaching Shakespeare's texts offer an invigorating way to reappraise the plays . Brook's interview with Billington for this book describes how working ...
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... stage is a kind of family life and as director his role in that family changes according to the nature of the play . Thus he perceives that when directing Chekhov , the director is like an elder brother in the family , whereas this is ...
... stage is a kind of family life and as director his role in that family changes according to the nature of the play . Thus he perceives that when directing Chekhov , the director is like an elder brother in the family , whereas this is ...
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... stage continue to attract and fascinate these directors as a particular place where the craft of mise en scène can be practised and re - defined . It has become commonplace for critics to complain that we are now invited to the theatre ...
... stage continue to attract and fascinate these directors as a particular place where the craft of mise en scène can be practised and re - defined . It has become commonplace for critics to complain that we are now invited to the theatre ...
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... stage and how that is negotiated around the actor . The debate about the predominance of the director over the playwright , and thus the dramatic text , raises the issue of inter- pretation that ranges freely throughout the interviews ...
... stage and how that is negotiated around the actor . The debate about the predominance of the director over the playwright , and thus the dramatic text , raises the issue of inter- pretation that ranges freely throughout the interviews ...
Inhalt
AUGUSTO BOAL | |
PETER BROOK | |
ION CARAMITRU | 7 |
LEV DODIN | |
DECLAN DONNELLAN AND NICK ORMEROD | 7 |
MARIA IRENE FORNES | |
JORGE LAVELLI | |
ROBERT LEPAGE | |
LLUÍS PASQUAL | 3 |
PETER SELLARS | 25 |
PETER STEIN | 11 |
GIORGIO STREHLER | 17 |
JATINDER VERMA | |
ROBERT WILSON | |
Six hemispheres in search of PETER BROOK JONATHAN MILLER AND OLIVER SACKS IN CONVERSATION | |
NOTES ON CONTRIBUTORS | 11 |
Häufige Begriffe und Wortgruppen
acting actors actually Ariane Mnouchkine artistic AUDIENCE QUESTION AUGUSTO BOAL BILLINGTON Boal Brecht British CARAMITRU character Cheek by Jowl Chekhov classics CONTACT contemporary create culture DECLAN DONNELLAN DELGADO directing director Dodin DONNELLAN Drama English Europe European everything experience feel Festival film French German Giorgio Strehler GODS GOLDENBERG happens Hiroshima human idea important interesting Japanese Jonathan Miller JORGE LAVELLI kind language Lev Dodin live Lluís Pasqual London look Manchester Maria Irene Fornes MCALPINE mean Molière National Theatre never NINAGAWA Odéon opera Paris performance person Peter Brook Peter Sellars Peter Stein Piccolo play playwright political problem production realise rehearsal ROBERT LEPAGE Robert Wilson role Romania Schaubühne sense someone sometimes sort space stage story Strehler talk Teatro tell Théâtre de l'Europe theatrical there's things tion tour tradition what's William Shakespeare word writing Yukio Ninagawa
Verweise auf dieses Buch
'Other' Spanish Theatres: Erasure and Inscription on the Twentieth Century ... Maria M. Delgado Eingeschränkte Leseprobe - 2003 |
Les Tragédies grecques sur la scène moderne: Une utopie théâtrale Patricia Vasseur-Legangneux Eingeschränkte Leseprobe - 2004 |