I was as they who cities rear On palsied, false, volcanic ground: Yet why it comes that love and sin- go Doth trouble mortal wit to know. My Judith and this friend between. 'Twas I that won, and could not keep! Ay, laugh!-sneer at me,-scoff, and gibe:- The meanest clown may gall my kibe,- My sweet!-my angel!-Pah, my devil! And worse than this, if there be worse! What itch or scab more foul than this? Ay, kiss, hug,-clasp,-be quick,-time flies ;- Let's peer in one another's eyes, We cannot do't when he returns! No, no!-Beware!-This washy thing, Ay, true! -This noodle, tame and sleek, V. I wait for my Revenge, and adopt an old Stratagem. To keep the dainty for the last; And feel the feast is not yet past! With action's dream before the act. The baits men caught their mothers by. I plann'd a journey, and I made Then, mov'd with seeming grief, I bade But first the servants all I bought: "Meet me to-night”—'twas thus it spoke- At dark-hour be beneath the oak Where all my best of life is pass'd." Yes, madam! you shall meet your lover- And woe to you when I uncover A deadlier viper than you reckon'd. And wish in vain that thou wert dead! Of blushes, nakedness, and shame! VI. I disguise myself, waylay my Friend, and meet my own Wife under the Oak. The page went to his journey's end, And took the scroll for whom 'twas meant: I lim'd this twig to catch my friend, While on his friend's dishonour bent. It chanc'd a fordless river lay Between him and the place of meeting, I plann'd to kill him on the way, And in his dress give her the greeting. Disguis'd, I took the boatman's place Nor since, nor e'er again shall see It look'd intensely undefin'd ; It blobb'd and gurgl'd as if dying; And strange dim things half seen, half blind, The trees stood sharp against the skies, That fool saw Love before his eyes, But I saw Death behind his back. Unthought on and at one fell blow Had he to do just then to die Untroubl'd with all other stuff. False Judith met beneath the oak. VII. The Meeting-The Result-The final Punishment of Judith. I heard her light and sinful feet And thought my wilful heart would beat Before my mind rose other hours, Unlike-and yet most like !-to this; When we were young, and youthly pure!- My passion faded off in grief; 487 Lost was the present in the past; That linger'd o'er affection's grave. Whose sin the very grave can't cover! To join him in perpetual burning!" She would have shrieked, but fail'd; and dropp'd Down at my feet a lifeless heap. Her guilty heart abruptly stopp'd, Crush'd and o'erwhelm'd by terror deep. It only woke again to beat Time to a lasting song of sorrow. Dark was her way for stumbling feet, Through life's long night with no to-morrow. Still my revenge was yet unta'en; New, fresh revenge more dire than death, I plotted how to lengthen pain Till life grew sick of its own breath. took her to a desert shore, I saw her not, I heard her not, I heard no sigh and saw no tear : I treated her like one forgot, And liv'd as though she were not there. A conscious death her life became, And oft, in truth, my heart was aching; Yet would not I have spoke her name, Though it had sav'd that heart from breaking. Sometimes her tearful eyes I caught Yet I relented nought, nor changed, And to her wavering mind, derang'd, True things look'd false, and false things true. Nor might she long this grief withstand She died, nor sought I once to save : I buried her upon the sand, Nor left a mark to note her grave. Now from this tale of foul disgrace, And murder done, you well may guess The causes all-the feelings trace THE OPERA. LE PAS DES DÉESSES. We thought the season was getting fainter and fainter,—that it was decidedly on the wane, and that although it would not actually terminate its bright existence till the middle of this month, August, there would be no more novelty, nothing for us to talk about. Therefore we resolved to write our summary. It is indeed bad manners to send for the undertaker before the patient is dead, however old or however feeble he may be, but a nice graceful epitaph written by a friend, and paying him a smart compliment during his lifetime, is not without precedent. Why not? If Anacreon asks τί σε δεῖ λίθον μυρίξειν ; That is to say, what is the good of perfuming and wine-pouring, when the nose that ought to sniff and the lips that ought to taste have retired from the scene, and left a dull lump of stone as an inefficient proxy. We ask in our turn, why should not the same argument apply to that sweetest of all odours-commendation? Therefore did we take up our new pen-no, we did not, we use steel, and "new pen" belongs to the cant of the quill days;—therefore did we take up our steel pen, and send our memory scenting, diving, and penetrating through all the crannies of the past months, that it might bring us fragments of treasure for our fancy to arrange into a graceful heap, just as the ants used to pick up bits of gold for the benefit and behoof of the griffins. In this condition were we, when our eyes fell on an advertisement, "Pas des Déesses-Madlles. Taglioni, Cerito, Grahn, M.M. Perrot, St. Leon," and so on. It was but one action to see this and to order our horses to be put to our carriage. Starting from our little fantastical gothic cottage, we reached in a short time our box on the grand tier. No more thoughts of the summary till September! The season takes a new life, and a birthday ode were fitter than an epitaph-if, indeed, a birthday ode were ever fit for any thing, since compositions of the kind are usually dull, "slow" affairs, while an epitaph, melancholy though its subject be, has still the merit of brevity. It is as though one "bored" a man when he came into the world, and gave him a light nod when he walked out of it. Did the Thracians, who used to pay visits of condolence on the occasion of a birth, and think a death the luckiest thing in the world, originate the two descriptions of poems ? But hang the Thracians, -as they used to hang one another in sport, to the great offence of Dr. Cornelius Scribblerus, for they keep us away from our subject. To the pas-to the pas.- C'est le premier pas qui— Nonsense! Long rows of thick clouds, with long rows of Pagan deities sitting upon them, to see the other deities dance below. Very well behaved, * Don't believe it, reader. Our reporter called a cab, and went to the back of the pit. The "gothic cottage" is an apartment never-mind-how-many-pair-back. -Printer's Devil. Aug.-VOL. LXXVII. NO. CCCVIII. 2 K |