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Handbook of Archaeology: Egyptian--Greek--Etruscan--Roman
Hodder Michael Westropp
Keine Leseprobe verfügbar - 2016
Handbook of Archaeology; Egyptian, Greek, Etruscan, Roman
Hodder Michael Westropp
Keine Leseprobe verfügbar - 2011
according alphabet amphitheatre ancient antiquity Apollo appears arch architecture artists Athenian Athens Augustus bas-reliefs baths bearing beauty belong born British Museum bronze building built called camei cameo celebrated cella character collection colour columns Corinth Corinthian Corinthian order Csesar Decastyle deceased deities Doric Doric order drapery dynasty earliest Egypt Egyptian emperor engraved stones Eoman Eome erected Etruria Etruscan example executed exhibit feet figures flourish frequently front gems glyptic art goddess gods Greece Greek Greek alphabet Hadrian head height Hercules Hexastyle hieroglyphics imitation inscriptions intagli intaglio Ionic Italy Jupiter kind king later period Lysippus marble monuments obelisks origin ornaments oval painted vases painter Parthenon perfect peripteral Phidias placed Pliny Pompeii portico Praxiteles pyramid reign remarkable represented rings Roman Sard sardonyx scarabsei sculpture seated sepulchral side signet sometimes statuary statues style subjects supposed tablet Tarquinii temple theatre Thebes tion tomb Trajan usually Vatican Venus Vitruvius walls wife
Seite 491 - Enos Lases iuvate Neve lue rue Marmar sins incurrere in pleores Satur fu fere Mars limen sali sta berber Semunis Alternis advocapit conctos Enos Marmor iuvato Triumpe. The first five lines were repeated thrice, and Triumpe five times.3 Quintilian tells us that " the hymns of the Salii were hardly intelligible to the priests themselves...
Seite 518 - DESCRIPTVM ET RECOGNITVM EX TABVLA AENEA QVAE FIXA EST ROMAE IN CAPITOLIO AD ARA (sic) GENTIS IVLIAE LATERE DEXTRO Ora al Museo di Sassari, vedi tav.
Seite 151 - They are, under the point of view of religion and philosophy, wholly rotten, and from the sole of the foot to the crown of the head there is no soundness in them.
Seite 228 - ... these are the marks, in very manifold gradations, however, of the figures which were called satyrs in the genuine language of Greek poetry and art, from which the Roman poets first ventured to depart, who identified them with the Boman fauni, who are described as half men, half goats, and with horns.
Seite 88 - ... were introduced into Rome in the year 390, in order to appease the wrath of the gods for a pestilence then devastating the city, and that ludiones were sent for from Etruria, who acted to the sound of the pipe, in the Etruscan fashion.
Seite 300 - All these were discovered in the sepulchres of the ancients, but the circumstances under which they were found differ according to locality. In Greece, the graves are generally small, being designed for single corpses, which accounts for the comparatively small size of the vases discovered in that country. At Athens, the earlier graves are sunk deepest in the soil, and those at Corinth, especially such as contain the early Corinthian vases, are found by boring to a depth of several feet beneath the...
Seite 124 - ... have said, could not be inserted without special permission from the emperor. Those whose means or interest were insufficient to obtain a private pipe, were obliged to fetch water from the public fountains. It is calculated by M. Rendelet that the nine aqueducts described by Frontinus furnished Rome with a supply of water equal to that carried down by a river thirty feet broad, by six deep, flowing at the rate of thirty inches a second.
Seite 139 - The whole structure, 140 feet in height, was crowned by a chariot group in white marble, in which, probably, stood Mausolos himself, represented after his translation to the world of demigods and heroes.
Seite 446 - The hieroglyphic figures were arranged in vertical columns or horizontal lines, and grouped together as circumstances required, so as to leave no spaces unnecessarily vacant. They were written from right to left, or from left to' right. The order in which the characters were to be read, was shown by the direction in which the figures are placed, as their heads are invariably turned towards the reader. A single line of...