Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 55
... Christianity adversus Judeos - that is , in opposition to Judaism ( 213 ) . More simply , early modern Christian notions of what it means to be subject to God inevitably entail an account of the Jewish refusal to receive Christ as the ...
... Christianity adversus Judeos - that is , in opposition to Judaism ( 213 ) . More simply , early modern Christian notions of what it means to be subject to God inevitably entail an account of the Jewish refusal to receive Christ as the ...
Seite 55
... Christianity adversus Judeos - that is , in opposition to Judaism ( 213 ) . More simply , early modern Christian notions of what it means to be subject to God inevitably entail an account of the Jewish refusal to receive Christ as the ...
... Christianity adversus Judeos - that is , in opposition to Judaism ( 213 ) . More simply , early modern Christian notions of what it means to be subject to God inevitably entail an account of the Jewish refusal to receive Christ as the ...
Seite 59
... Christian communities . The religious difference of women is not usually imagined as physically inscribed in their flesh " ( 120 ) . But as I have argued , female difference was inscribed in the flesh not only by reli- gious discourse ...
... Christian communities . The religious difference of women is not usually imagined as physically inscribed in their flesh " ( 120 ) . But as I have argued , female difference was inscribed in the flesh not only by reli- gious discourse ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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actor Antony argues audience authority Bastard becomes Benedick body Caesar Chalmers character Christian claims Clarissa Cleopatra comedy comic complaint conventional Cordelia Coriolanus critics cultural death desire drama early modern edition Elizabeth Elizabethan England English erotic essay fact Falstaff father female figure Ganymede gender Hamlet Henry Henry VI Hippolyta homosexual identity Irving's Jessica Jewish Jews Joan John King King Lear language Lear Leontes lines London Lord lover Lover's Complaint Lucrece Macbeth magic male Margaret Marranos marriage Measure for Measure ment Merchant of Venice moral Oldcastle Ophelia performance Pericles Petrarchan play's poems poet political Polixenes Prince Protestant Queen reading reference reformation relationship Renaissance representation role scene seems sense sexual Shake Shakespeare Shylock social sodomy sonnet 20 sonnets speare's speech stage suggests theater theatrical thee Theseus thou tion Titus Andronicus tragedy University Press Winter's Tale woman women words York