Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 149
... action intersect . The serious po- litical actor must fight to sift , control , manipulate a bundle of constantly changing representations . As Part Two draws to a close , Hal acts to take charge of his kingdom in an atmosphere that ...
... action intersect . The serious po- litical actor must fight to sift , control , manipulate a bundle of constantly changing representations . As Part Two draws to a close , Hal acts to take charge of his kingdom in an atmosphere that ...
Seite 234
... action- able : For it is to be intended of the French Pox " ( 1 Croke 648 ) . The slander found here does not suggest the commission of any crime , but it leaves the accused open to the public perception that he is a moral or ...
... action- able : For it is to be intended of the French Pox " ( 1 Croke 648 ) . The slander found here does not suggest the commission of any crime , but it leaves the accused open to the public perception that he is a moral or ...
Seite 235
... action- able : For it is to be intended of the French Pox " ( 1 Croke 648 ) . The slander found here does not suggest the commission of any crime , but it leaves the accused open to the public perception that he is a moral or ...
... action- able : For it is to be intended of the French Pox " ( 1 Croke 648 ) . The slander found here does not suggest the commission of any crime , but it leaves the accused open to the public perception that he is a moral or ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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