Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite xi
... Beginning with Volume 11 , the series focuses on the history of Shakespeare's plays on the stage and in important films . The Yearbooks reprint the most important critical pieces of the year as suggested by an advisory board of ...
... Beginning with Volume 11 , the series focuses on the history of Shakespeare's plays on the stage and in important films . The Yearbooks reprint the most important critical pieces of the year as suggested by an advisory board of ...
Seite 143
... beginning of the sentence again . It's my notion , which I hope to explore in this essay , that for Shakespeare's audience in the Henry IV plays , the process of experiencing the drama of undergo- ing , construing , fighting with ...
... beginning of the sentence again . It's my notion , which I hope to explore in this essay , that for Shakespeare's audience in the Henry IV plays , the process of experiencing the drama of undergo- ing , construing , fighting with ...
Seite 148
... beginning of 2 Henry IV ; Open your ears , for which of you will stop The vent of hearing when loud Rumour speaks ? ( Induction , 1-2 ) I wonder if justice has been done to the boldness , the strangeness of this extraordinary choice on ...
... beginning of 2 Henry IV ; Open your ears , for which of you will stop The vent of hearing when loud Rumour speaks ? ( Induction , 1-2 ) I wonder if justice has been done to the boldness , the strangeness of this extraordinary choice on ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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