Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 84
Seite 58
... body , for according to Christian ecclesiastical and legal authorities , a woman was incorporated into the body of her husband in marriage , becoming both one with and subject to him . As Portia says after Bassanio has successfully ...
... body , for according to Christian ecclesiastical and legal authorities , a woman was incorporated into the body of her husband in marriage , becoming both one with and subject to him . As Portia says after Bassanio has successfully ...
Seite 272
... body " ( 5.3.70-72 ) . The puns escalate into tautologies ; like Rome , Lavinia is a " map of woe " ; her body is a raped country , voiceless , lacking hands to wash , feed , or defend itself . Lavinia's abused body , which has served ...
... body " ( 5.3.70-72 ) . The puns escalate into tautologies ; like Rome , Lavinia is a " map of woe " ; her body is a raped country , voiceless , lacking hands to wash , feed , or defend itself . Lavinia's abused body , which has served ...
Seite 283
... body ; whereas the episto- lary novel presents that body mediated through two levels of reflection . And what both Richardson and his protagonist Lovelace say about letters confirms this sense that the letter ( at least as a means of ...
... body ; whereas the episto- lary novel presents that body mediated through two levels of reflection . And what both Richardson and his protagonist Lovelace say about letters confirms this sense that the letter ( at least as a means of ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
21 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actor Antony argues audience authority Bastard becomes Benedick body Caesar Chalmers character Christian claims Clarissa Cleopatra comedy comic complaint conventional Cordelia Coriolanus critics cultural death desire drama early modern edition Elizabeth Elizabethan England English erotic essay fact Falstaff father female figure Ganymede gender Hamlet Henry Henry VI Hippolyta homosexual identity Irving's Jessica Jewish Jews Joan John King King Lear language Lear Leontes lines London Lord lover Lover's Complaint Lucrece Macbeth magic male Margaret Marranos marriage Measure for Measure ment Merchant of Venice moral Oldcastle Ophelia performance Pericles Petrarchan play's poems poet political Polixenes Prince Protestant Queen reading reference reformation relationship Renaissance representation role scene seems sense sexual Shake Shakespeare Shylock social sodomy sonnet 20 sonnets speare's speech stage suggests theater theatrical thee Theseus thou tion Titus Andronicus tragedy University Press Winter's Tale woman women words York