Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 185
... conventional femininity of maternal obligation but emerges from it ; with her claim to Henry's armies , Margaret makes violence itself domestic . Henry articulates the causal- ity : " Poor Queen ! How love to me and to her son / Hath ...
... conventional femininity of maternal obligation but emerges from it ; with her claim to Henry's armies , Margaret makes violence itself domestic . Henry articulates the causal- ity : " Poor Queen ! How love to me and to her son / Hath ...
Seite 301
... conventional generic fictions rather than realistic indexes to actual personal and social identities ; and the Indians might well be regarded as receiving a compliment ( rather than a dismissal ) in being depicted as foreign , native ...
... conventional generic fictions rather than realistic indexes to actual personal and social identities ; and the Indians might well be regarded as receiving a compliment ( rather than a dismissal ) in being depicted as foreign , native ...
Seite 457
... conventional dramatic villain 4 : 440 , 527 , 545 , 582 as homosexual 4 : 503 Machiavellian elements 4 : 440 , 455 , 457 , 517 , 545 ; 35 : 336 , 347 motives 4 : 389 , 390 , 397 , 399 , 402 , 409 , 423 , 424 , 427 , 434 , 451 , 462 ...
... conventional dramatic villain 4 : 440 , 527 , 545 , 582 as homosexual 4 : 503 Machiavellian elements 4 : 440 , 455 , 457 , 517 , 545 ; 35 : 336 , 347 motives 4 : 389 , 390 , 397 , 399 , 402 , 409 , 423 , 424 , 427 , 434 , 451 , 462 ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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