Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 146
... effects are not crude , but they are numerous and have a cumulative destabi- lizing effect , no matter how the scene is performed . In this brilliant opening , we experience history - making by negotiating a series of subtle jolts in ...
... effects are not crude , but they are numerous and have a cumulative destabi- lizing effect , no matter how the scene is performed . In this brilliant opening , we experience history - making by negotiating a series of subtle jolts in ...
Seite 175
... effect ; this is the effect of bring- ing Margaret home , of locating female power at the intersection of the alien and the domestic . That inter- section , Freud argues , is an effect of rhetoric , a collapse of opposition into ...
... effect ; this is the effect of bring- ing Margaret home , of locating female power at the intersection of the alien and the domestic . That inter- section , Freud argues , is an effect of rhetoric , a collapse of opposition into ...
Seite 176
... effect of female agency ; by invoking a doubled set of conventions , the Henry VI plays complicate the hier- archical relationship not only of men to women but also of homosocial systems of power to heterosexual conventions and roles ...
... effect of female agency ; by invoking a doubled set of conventions , the Henry VI plays complicate the hier- archical relationship not only of men to women but also of homosocial systems of power to heterosexual conventions and roles ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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