Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... final act is an inexcusable violation of both Isabella's , independence and her religious voca- tion , a shameless " shaming of a nun . 9946 For these critics the play's ending , which turns on Isabella's capacity to forgive the man who ...
... final act is an inexcusable violation of both Isabella's , independence and her religious voca- tion , a shameless " shaming of a nun . 9946 For these critics the play's ending , which turns on Isabella's capacity to forgive the man who ...
Seite 138
... final scene , which presents the king's death , the end of the French invasion , and the settling of the peace , also contains the Bastard's apotheosis as administrator . In the final lines the duty of disposing the " business " of ...
... final scene , which presents the king's death , the end of the French invasion , and the settling of the peace , also contains the Bastard's apotheosis as administrator . In the final lines the duty of disposing the " business " of ...
Seite 318
... final distancing from the stigmatized theatrical- ity that marked the play's opening scenes . Hermione's coming to life as a statue seems , moreover , to be a final elision of the spectacle of the boy actor , the fig- ure who , more ...
... final distancing from the stigmatized theatrical- ity that marked the play's opening scenes . Hermione's coming to life as a statue seems , moreover , to be a final elision of the spectacle of the boy actor , the fig- ure who , more ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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