Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 87
Seite 95
... give it over . By the Lord , an I do not I am a villain . I'll be damned for never a king's son in Christendom ... gives him the opportunity and makes the king appear solely responsible for the rejection the two had been conspiring to ...
... give it over . By the Lord , an I do not I am a villain . I'll be damned for never a king's son in Christendom ... gives him the opportunity and makes the king appear solely responsible for the rejection the two had been conspiring to ...
Seite 97
... Give me my horse , you rogues , give me my horse , and be hanged ! ( 11. 21-29 ) When a speaker echoes the words and sentiments uttered in an episode from which he was absent ( in ) this case , 2.1 ) , it usually means that he is ...
... Give me my horse , you rogues , give me my horse , and be hanged ! ( 11. 21-29 ) When a speaker echoes the words and sentiments uttered in an episode from which he was absent ( in ) this case , 2.1 ) , it usually means that he is ...
Seite 325
... give away his entire collection in return for just one authentic example of Shakespeare's handwriting . The story be- comes more and more incredible as it unfolds , and it becomes increasingly clear that Ireland's eventual aim , which ...
... give away his entire collection in return for just one authentic example of Shakespeare's handwriting . The story be- comes more and more incredible as it unfolds , and it becomes increasingly clear that Ireland's eventual aim , which ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
21 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actor Antony argues audience authority Bastard becomes Benedick body Caesar Chalmers character Christian claims Clarissa Cleopatra comedy comic complaint conventional Cordelia Coriolanus critics cultural death desire drama early modern edition Elizabeth Elizabethan England English erotic essay fact Falstaff father female figure Ganymede gender Hamlet Henry Henry VI Hippolyta homosexual identity Irving's Jessica Jewish Jews Joan John King King Lear language Lear Leontes lines London Lord lover Lover's Complaint Lucrece Macbeth magic male Margaret Marranos marriage Measure for Measure ment Merchant of Venice moral Oldcastle Ophelia performance Pericles Petrarchan play's poems poet political Polixenes Prince Protestant Queen reading reference reformation relationship Renaissance representation role scene seems sense sexual Shake Shakespeare Shylock social sodomy sonnet 20 sonnets speare's speech stage suggests theater theatrical thee Theseus thou tion Titus Andronicus tragedy University Press Winter's Tale woman women words York