Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 23
Seite 105
... imagine Falstaff as subject is to imagine the speaker on the model of the actor , imagine him performing like the actor ( but not as an actor ) in that he presents his representation of himself as the object he interprets , and in that ...
... imagine Falstaff as subject is to imagine the speaker on the model of the actor , imagine him performing like the actor ( but not as an actor ) in that he presents his representation of himself as the object he interprets , and in that ...
Seite 107
... imagine Falstaff as subject is to imagine the speaker on the model of the actor , imagine him performing like the actor ( but not as an actor ) in that he presents his representation of himself as the object he interprets , and in that ...
... imagine Falstaff as subject is to imagine the speaker on the model of the actor , imagine him performing like the actor ( but not as an actor ) in that he presents his representation of himself as the object he interprets , and in that ...
Seite 315
... imagine her sexual impurity hints at the instability of their erotic compromise with what the play at this point posits as maturity , as a kingly distance from the desire they associate with boyhood . For all the play's work to distance ...
... imagine her sexual impurity hints at the instability of their erotic compromise with what the play at this point posits as maturity , as a kingly distance from the desire they associate with boyhood . For all the play's work to distance ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
21 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actor Antony argues audience authority Bastard becomes Benedick body Caesar Chalmers character Christian claims Clarissa Cleopatra comedy comic complaint conventional Cordelia Coriolanus critics cultural death desire drama early modern edition Elizabeth Elizabethan England English erotic essay fact Falstaff father female figure Ganymede gender Hamlet Henry Henry VI Hippolyta homosexual identity Irving's Jessica Jewish Jews Joan John King King Lear language Lear Leontes lines London Lord lover Lover's Complaint Lucrece Macbeth magic male Margaret Marranos marriage Measure for Measure ment Merchant of Venice moral Oldcastle Ophelia performance Pericles Petrarchan play's poems poet political Polixenes Prince Protestant Queen reading reference reformation relationship Renaissance representation role scene seems sense sexual Shake Shakespeare Shylock social sodomy sonnet 20 sonnets speare's speech stage suggests theater theatrical thee Theseus thou tion Titus Andronicus tragedy University Press Winter's Tale woman women words York