Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 102
... object that may not be congruent or coterminous with the I as subject . But just what does " textual and illocutionary forces " mean ? In the present context I use the phrase to denote the characterizing work done by clusters of images ...
... object that may not be congruent or coterminous with the I as subject . But just what does " textual and illocutionary forces " mean ? In the present context I use the phrase to denote the characterizing work done by clusters of images ...
Seite 104
... object of his speech , a subject capable of repre- senting himself as an object and of presenting that self - representation to himself and others . If those words are construed as a " caricature of the dead Oldcastle , " the portrait ...
... object of his speech , a subject capable of repre- senting himself as an object and of presenting that self - representation to himself and others . If those words are construed as a " caricature of the dead Oldcastle , " the portrait ...
Seite 105
... object constructed by his speech , the comic embodiment of subversion in the carnival figure of the grotesque puritan ? Poole wants to have it both ways , but her polemic against critics who assume Falstaff self - consciously mocks ...
... object constructed by his speech , the comic embodiment of subversion in the carnival figure of the grotesque puritan ? Poole wants to have it both ways , but her polemic against critics who assume Falstaff self - consciously mocks ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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