Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... reading that underlies the struc- ture and argument of Whitney's essay : he produces the effect of carnival by taking the scene out of its narrative / dramatic / textual context and treating it as an isolated moment embedded in the ...
... reading that underlies the struc- ture and argument of Whitney's essay : he produces the effect of carnival by taking the scene out of its narrative / dramatic / textual context and treating it as an isolated moment embedded in the ...
Seite 107
... reading that underlies the struc- ture and argument of Whitney's essay : he produces the effect of carnival by taking the scene out of its narrative / dramatic / textual context and treating it as an isolated moment embedded in the ...
... reading that underlies the struc- ture and argument of Whitney's essay : he produces the effect of carnival by taking the scene out of its narrative / dramatic / textual context and treating it as an isolated moment embedded in the ...
Seite 323
... reading of Shakespeare's sonnets that locates male - female re- lationships within an economy of male bonds , see Eve Sedgwick , Between Men : English Literature and Male Homosocial Desire ( New York : Columbia University Press , 1983 ) ...
... reading of Shakespeare's sonnets that locates male - female re- lationships within an economy of male bonds , see Eve Sedgwick , Between Men : English Literature and Male Homosocial Desire ( New York : Columbia University Press , 1983 ) ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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