Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 19
... represents an artful dodge : the inhabitants of Messina , in particular Benedick , make " much ado " so as to es- cape serious consequences . Benedick's promise dis- places the torture of Don John , as if Messina could not tolerate such ...
... represents an artful dodge : the inhabitants of Messina , in particular Benedick , make " much ado " so as to es- cape serious consequences . Benedick's promise dis- places the torture of Don John , as if Messina could not tolerate such ...
Seite 98
... represented by the speech and of the subject that represents itself through the speech . " And neither the object nor the subject named by the speech prefix is with body until the actor's manlike or boylike body fills the words with ...
... represented by the speech and of the subject that represents itself through the speech . " And neither the object nor the subject named by the speech prefix is with body until the actor's manlike or boylike body fills the words with ...
Seite 102
... representing himself as the kind of symbol Rossiter discusses . 2 ) " Falstaff represents to Hal not an alternative pater- nal image but rather a projected fantasy of the pre- oedipal maternal , whose rejection is the basis upon which ...
... representing himself as the kind of symbol Rossiter discusses . 2 ) " Falstaff represents to Hal not an alternative pater- nal image but rather a projected fantasy of the pre- oedipal maternal , whose rejection is the basis upon which ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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