Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... seems to be thinking of how not merely reputation but moral character , his own in particu- lar , may be affected by a single inborn defect . Bear- ing in mind his preoccupation with eschatology , it is tempting to find in " the general ...
... seems to be thinking of how not merely reputation but moral character , his own in particu- lar , may be affected by a single inborn defect . Bear- ing in mind his preoccupation with eschatology , it is tempting to find in " the general ...
Seite 254
... seems to evoke Ovid's account of the death of Orpheus ( though , it should be noted , without tidy correspondence ) . Murellus calls them " blocks , " " stones , " " worse than senseless things " for their unreflective devotion to ...
... seems to evoke Ovid's account of the death of Orpheus ( though , it should be noted , without tidy correspondence ) . Murellus calls them " blocks , " " stones , " " worse than senseless things " for their unreflective devotion to ...
Seite 282
... seems to me , indeed , to mark one of the limits of Richardson's imagination and to suggest a dimension that , unlike Shakespeare , he cannot fully achieve . 13 In letter XXXIII in volume III , Lovelace writes to Belford , transcribing ...
... seems to me , indeed , to mark one of the limits of Richardson's imagination and to suggest a dimension that , unlike Shakespeare , he cannot fully achieve . 13 In letter XXXIII in volume III , Lovelace writes to Belford , transcribing ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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