Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 38
... sense of the dizzying relativity of all avail- able senses of identity . The first line sets up a logical impossibility which the balanced syntax can do no more than leave as paradox . It may be glossed over by the sophistry of the ...
... sense of the dizzying relativity of all avail- able senses of identity . The first line sets up a logical impossibility which the balanced syntax can do no more than leave as paradox . It may be glossed over by the sophistry of the ...
Seite 330
... sense that she is " marked " with " the plea- sure which belongs to woman ” ( SA 60n ; my empha- sis ) . The " love " which the speaker gets is supposedly only that of virtue , 38 but why would the " use " of the Queen in this sense be ...
... sense that she is " marked " with " the plea- sure which belongs to woman ” ( SA 60n ; my empha- sis ) . The " love " which the speaker gets is supposedly only that of virtue , 38 but why would the " use " of the Queen in this sense be ...
Seite 343
... sense that she is " marked " with " the plea- sure which belongs to woman " ( SA 60n ; my empha- sis ) . The " love " which the speaker gets is supposedly only that of virtue , 38 but why would the " use " of the Queen in this sense be ...
... sense that she is " marked " with " the plea- sure which belongs to woman " ( SA 60n ; my empha- sis ) . The " love " which the speaker gets is supposedly only that of virtue , 38 but why would the " use " of the Queen in this sense be ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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