Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 42
Seite 98
... soliloquy , and the reflexivity of address in speech acts of any kind . What does it mean for a fictional speaker to address a the- ater audience ? Can a speaker who performs for and before others be shown to address himself as one of ...
... soliloquy , and the reflexivity of address in speech acts of any kind . What does it mean for a fictional speaker to address a the- ater audience ? Can a speaker who performs for and before others be shown to address himself as one of ...
Seite 197
... soliloquy : " O that this too too sullied flesh would melt / Thaw , and resolve itself into a dew ! " ( I. ii . 129-30 ) . In that soliloquy , too , he expresses Christian scruples about suicide , but as " To be , or not to be " reveals ...
... soliloquy : " O that this too too sullied flesh would melt / Thaw , and resolve itself into a dew ! " ( I. ii . 129-30 ) . In that soliloquy , too , he expresses Christian scruples about suicide , but as " To be , or not to be " reveals ...
Seite 296
... soliloquy - and appropriately so . Tarquin's acute self - consciousness in his soliloquy can be seen in his sensitivity to history : paradoxically enough , like Lucrece he is all too aware of how he may be officially represented , of ...
... soliloquy - and appropriately so . Tarquin's acute self - consciousness in his soliloquy can be seen in his sensitivity to history : paradoxically enough , like Lucrece he is all too aware of how he may be officially represented , of ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
21 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actor Antony argues audience authority Bastard becomes Benedick body Caesar Chalmers character Christian claims Clarissa Cleopatra comedy comic complaint conventional Cordelia Coriolanus critics cultural death desire drama early modern edition Elizabeth Elizabethan England English erotic essay fact Falstaff father female figure Ganymede gender Hamlet Henry Henry VI Hippolyta homosexual identity Irving's Jessica Jewish Jews Joan John King King Lear language Lear Leontes lines London Lord lover Lover's Complaint Lucrece Macbeth magic male Margaret Marranos marriage Measure for Measure ment Merchant of Venice moral Oldcastle Ophelia performance Pericles Petrarchan play's poems poet political Polixenes Prince Protestant Queen reading reference reformation relationship Renaissance representation role scene seems sense sexual Shake Shakespeare Shylock social sodomy sonnet 20 sonnets speare's speech stage suggests theater theatrical thee Theseus thou tion Titus Andronicus tragedy University Press Winter's Tale woman women words York